by SIGNED Hong Kong Design Institute
Building the Revolution
Calm in the storm: Hugh Dutton designs Art Basel’s Swire Properties Lounge
by Ann Binlot, Wallpaper*
For the occasion of Art Basel, British architect Hugh Dutton created a rare oasis of calm in the middle of Hong Kong. The Swire Properties Lounge – located on the Level 1 Concourse opposite the Hall 1C entrance of the Hong Kong Convention and Exhibition Centre – provided select visitors with a place to relax and have a drink or snack while perusing the seemingly endless aisles of galleries at Asia’s biggest art fair, which ended its five-day run on 26 March.
For the lounge, Dutton referenced the Climate Ribbon he designed for the almost-finished Brickell City Centre by Swire Properties in Miami, a city that has a very close connection to both Art Basel and the Hong Kong-based real estate developer. The floating ribbon took the shape of a figure eight, a symbol of infinity and continuity, winding around the front column where the circular bar area was situated, before completing the figure eight around the opposite column. In front of the bar was an area for visitors to take a break from the crowds and discuss the myriad works of art they had just viewed while enjoying the view of the harbour. The figure eight echoes, according to the press release, ‘Swire Properties’ commitment to environmental sustainability’.
‘The essence of this lounge design is about creating a canopy — a shelter over people to come and celebrate and enjoy Art Basel,’ explained Dutton in a short film on the project. ‘And to do that, we have this idea of creating a fluid ribbon that begins at one end, and then just wraps around a column and then engages with the people and the shelter and then comes back down again. So it’s a simple movement in light, picking up the light we have from the harbour, and celebrating architecture and design, science and art, here at Art Basel in Hong Kong.’
In partnership with UTA Fine Arts, the Swire Properties Lounge also hosted a number of talks during Art Basel touching upon topics like temporary architecture, art disruption in fashion and art in malls. Invited to participate as a panelist, Dutton engaged in conversation with artist Larry Bell, UTA Fine Arts head Josh Roth, Serpentine Gallery director Hans Ulrich Obrist, curator and art dealer Jeffrey Deitch, Paddle8 co-founder Alexander Gilkes, M+ curator Aric Chen and collector Robbie Antonio.
(Image credit: TBC)
(Image credit: TBC)
(Image credit: TBC)
(Image credit: TBC)
INFORMATION
For more information, visit Swire Properties’ website
Related Links: About Robbie Antonio , Contact
Legendary designers like Tom Dixon and Zaha Hadid create prefab houses and pavilions
Robbie Antonio , founder and president of New York-based Antonio Development and managing director of Philippine-based Century Properties is offering anyone this possibility, through Revolution: a range of pre-crafted limited-edition homes and pavilions, exclusively designed in partnership with an impressive list of over 30 architects, designers and artists that include Pritzker Prize-winner Zaha Hadid, Kengo Kuma, Gluckman Tang, and David Salle.
What do you do when living in a condominium designed by a starchitect no longer cuts it? You get a pavilion designed by said starchitect built for you and only you. Or if you wish, even a house. You just need the space, permit and a local contractor to make that happen.
Each pavilion and home is individually branded by its designer’s personal concept of spatial form and social function. The result is a diverse and global collection of architecturally innovative, pre-crafted properties, ranging from functional pavilions to modular homes.
“As an art collector, I had the idea to make high-design architecture collectible and available to the public,” says Mr Antonio, on the idea behind Revolution.
Revolution was launched at Design Miami 2015 with two pre-crafted pavilions by Zaha Hadid and Gluckman Tang. It will continue to debut new designs – both homes and pavilions – at Salone del Mobile in Milan this April. Mr Antonio says that there has been interest throughout the world. He recently closed a deal with a developer for 27 homes, but declined to give further details.
Prices start at US$35,000 (S$48,000) for pavilions and the wait time is a minimum six weeks for certain models. The average price of a pavilion is over US$100,000, while the average price of a home is US$300,000.
Mr Antonio says that Revolution targets a variety of markets. “It could be the individual collector who is looking to have his very own Zaha Hadid-designed pavilion to serve as ‘architectural jewellery’,” he says. “Additionally, Revolution targets businesses, such as real estate and hospitality developments, that have chosen to invest in the value of design and the experience of branded architecture.”
The homes and pavilions are crafted around the world and then shipped to the buyers’ doorsteps. On the design brief, Mr Antonio says he told his collaborators that the designs had to be fully transportable and cost-efficient and gave size limits for pavilions and homes, but allowed the creatives to run free with design concept.
Pavilions are designed as dynamic one-room spaces, adaptable for a variety of functions and existing environments. As each pavilion is individually branded by its designer’s personal concept of spatial form and social function, collectors can choose from a range of designs specifically tailored to their lifestyles and tastes.
Zaha Hadid’s Volu Dining Pavilion has her signature organic form and curves, with cells on the ceiling and the floor. Bespoke designed furniture complement the pavilion. Meanwhile Gluckman Tang’s Model Art Pavilion is a light structure that mediates the relationship between its site, the participant and the art object.
Besides, homebuyers keen on high-design living can purchase multi-bedroom homes, complete with spatial functions and fully equipped with premier amenities and finishings. One such house is Eden by Marcel Wanders. Open and unfenced, the generous use of glass and a roof that extends over the exterior connect the inside and outside spaces to create twice the living area for special private and social gatherings. A row of signature Marcel Wanders columns clad in synthetic textile, woven according to local craftsmanship, lines the periphery, casting shadows during the day and lighting up dramatically at night.
Mr Antonio says Revolution is more than just picking a home or pavilion from a catalogue. “Revolution is somewhat customisable – clients can select different models, sizes and materials depending on their needs, their budget, and their lifestyle.”
Adapted from The Business Times.
by Tay Suan Chiang
Related Links: About Robbie Antonio . Contact
Now you can grab your own piece of Kengo Kuma architecture
by The Courier
Swire Properties And UTA Fine Arts Partner Up For Art Basel In Hong Kong
by FORBES
Art Basel takes place this week in Hong Kong, and Swire Properties and United Talent Agency Fine Arts have partnered up for a week of programming that incorporates public art, architecture, fashion and design. “During Art Basel in Hong Kong 2015, I saw firsthand how Swire Properties is dedicated to bringing art, architecture, and design to the community through its properties and sponsorships,” said Josh Roth, head of UTA Fine Arts. “I was inspired to strike up a conversation with the company’s leadership, seeing a great opportunity for us to harvest Swire Properties’ goodwill within the community and build upon their legacy.” The partnership could be a preview of what’s yet to come for Swire Properties and UTA Fine Arts. Here’s a preview of the week’s happenings:
“Pacific Red” by Larry Bell at Pacific Place in Hong Kong
“Pacific Red” by Larry Bell
While art in shopping malls may be a bizarre thing in the United States and Europe, it’s quite common in Asia, and for the 2016 edition of Art Basel in Hong Kong, and to further Swire Properties’s and UTA’s goal to show art to audiences who would otherwise not be exposed to it, American artist Larry Bell has installed in the mall and the Upper House at Pacific Place. Three red, large-scale reflective glass cubes will stand tall and radiant, manipulating light and air into art. “ Larry finished installing his massive glass cubes just days ago, and we’ve already seen Instagram posts popping up and local children playing amongst the works,” said Roth. “This project embodies the goals of both Swire Properties and UTA Fine Arts: bringing art to a large cross-section of the public, providing access to art in unexpected places.”
Hugh Dutton’s Swire Properties Lounge at Art Basel
Art fair lounges have a tough job of trying impress the VIP collectors who are in search of acquiring works of art worth six figures or more. British architect Hugh Dutton’s effort — located at the Swire Properties Lounge at the Level 1 Concourse opposite the Hall 1C entrance of the Hong Kong Convention and Exhibition Centre —is inspired by his Climate Ribbon at Swire Properties’ Brickell City Centre in Miami, and features a ribbon floating in a figure eight, emulating the symbol for infinity.
Related Links: About Robbie Antonio , Contact
‘Queen Of The Curve’ Starchitect Zaha Hadid passes away at 65
by FORBES
High Design Prefab Collectibles – Revolution in The Business Times!
by The Business Times
ARCHITECTURAL DESIGN: NEST POD BY FERNANDO ROMERO
by Daria Speiwok, Coveted Edition
Our interior design magazine will introduce one of today’s most relevant international architects. Fernando Romero is tightly involved in architectural design. The architect has designed a house of the future Nest Pod.
Fernando Romero’s projects address a wide range of public and private initiatives from community education to urban development. Fernando Romero has been selected to design the New International Airport for Mexico City. It is estimated that the project will require an investment of 9 billion dollars. It is going to be the most sustainable airport in the world. During his practice in Europe, Romero worked in Paris under Jean Nouvel and in Rotterdam under Rem Koolhaas.
Fernando Romero has found a firm FR-EE. Converging organic and systematic design approaches, FR-EE’s projects translate contemporary moments of society and culture into built form, achieving ground-breaking results through extensive technological advancements, through research, and implementation of green infrastructures. The concept of translation embodies his understanding of architecture, using design to transform context, conditions and moments into buildings and places with structured identities. Ultimately, the goal of each project is to experience and render periods of societal, political and economic transformation into three-dimensional form.
Today FR-EE is a global architecture and design practice operating at the intersection of culture, development and technology with offices in New York and Mexico City. Collaboration is central to FR-EE’s design investigation, working closely with clients, policy makers, curators, educators, non-profit entities, developers, engineers, contractors, artists and anthropologists, to ultimately reach comprehensive and innovative solutions. Beyond practicing design, FR-EE orchestrates initiatives aimed at elevating standards of living and education, particularly in Latin America, through research, sports and curation.
The Nest Pod is a pre-crafted home that belongs both to Architecture and Product design worlds. Manufacturing this house will require the same discipline of the construction of a car, a yacht, or an airplane. We live in a world where mobility became a very important asset, and this house is designed for a new generation of people that can live simultaneously in different parts of the world. It is an innovative prefabricated house, which is intelligently suited for any environment or location, answering to these urging necessities. Its elliptical shape allows the building to harmoniously relate to any context. The minimized footprint greatly reduces the impact on the build site, by preserving a natural environment or requiring a small site in an urban landscape.
Derived from the elliptical forms found in nature, the home responds to it environment with a slight shift of the main horizontal axis, which provides passive shading on its most vulnerable sides. The 95 sqm. dwelling’s interior is split along the North-South axis, creating opportunities for flow of natural ventilation and interaction through the interior spaces. The structural grid, which radiates from the center, allows the home to be easily fabricated off-site, shipped, and constructed on location.
The sleek, smooth exterior dialogues with its gently carved interior spaces. One single public area opens to the exterior by its panoramic windows, oriented North and South. A wall compression in the center of the house allows two areas, for dining and living, which defines as well on the sides the space for the two private rooms. Each dwelling is customizable in room number and color, allowing each user to create a one of a kind experiential dwelling.
The Revolution brings with it a culmination of nature derived forms and environmental spaces designed for the modern dweller.
Source – Revolution Precrafted
Related Links: About Robbie Antonio , Contact
More Links: – Inquirer , – Bilyonaryo News , – Philstar , – Business Mirror Crunchbase Oxford Business Group MillionaireAsia
ARCHITECTURAL DESIGN: NEST POD BY FERNANDO ROMERO
by COVETED
Our interior design magazine will introduce one of today’s most relevant international architects. Fernando Romero is tightly involved in architectural design. The architect has designed a house of the future Nest Pod.
Fernando Romero’s projects address a wide range of public and private initiatives from community education to urban development. Fernando Romero has been selected to design the New International Airport for Mexico City. It is estimated that the project will require an investment of 9 billion dollars. It is going to be the most sustainable airport in the world. During his practice in Europe, Romero worked in Paris under Jean Nouvel and in Rotterdam under Rem Koolhaas.
Fernando Romero has found a firm FR-EE. Converging organic and systematic design approaches, FR-EE’s projects translate contemporary moments of society and culture into built form, achieving ground-breaking results through extensive technological advancements, through research, and implementation of green infrastructures. The concept of translation embodies his understanding of architecture, using design to transform context, conditions and moments into buildings and places with structured identities. Ultimately, the goal of each project is to experience and render periods of societal, political and economic transformation into three-dimensional form.
Today FR-EE is a global architecture and design practice operating at the intersection of culture, development and technology with offices in New York and Mexico City. Collaboration is central to FR-EE’s design investigation, working closely with clients, policy makers, curators, educators, non-profit entities, developers, engineers, contractors, artists and anthropologists, to ultimately reach comprehensive and innovative solutions. Beyond practicing design, FR-EE orchestrates initiatives aimed at elevating standards of living and education, particularly in Latin America, through research, sports and curation.
The Nest Pod is a pre-crafted home that belongs both to Architecture and Product design worlds. Manufacturing this house will require the same discipline of the construction of a car, a yacht, or an airplane. We live in a world where mobility became a very important asset, and this house is designed for a new generation of people that can live simultaneously in different parts of the world. It is an innovative prefabricated house, which is intelligently suited for any environment or location, answering to these urging necessities. Its elliptical shape allows the building to harmoniously relate to any context. The minimized footprint greatly reduces the impact on the build site, by preserving a natural environment or requiring a small site in an urban landscape.
Derived from the elliptical forms found in nature, the home responds to it environment with a slight shift of the main horizontal axis, which provides passive shading on its most vulnerable sides. The 95 sqm. dwelling’s interior is split along the North-South axis, creating opportunities for flow of natural ventilation and interaction through the interior spaces. The structural grid, which radiates from the center, allows the home to be easily fabricated off-site, shipped, and constructed on location.
The sleek, smooth exterior dialogues with its gently carved interior spaces. One single public area opens to the exterior by its panoramic windows, oriented North and South. A wall compression in the center of the house allows two areas, for dining and living, which defines as well on the sides the space for the two private rooms. Each dwelling is customizable in room number and color, allowing each user to create a one of a kind experiential dwelling.
Related Links: About Robbie Antonio , Contact
This futuristic pop-up home looks like a pod from outer space
by Chloe Pantazi, Business Insider
First, a French architecture firm released a pop-up home that looks like it’s made out of LEGO blocks.
Now, the Mexico City-based architect Fernando Romero has designed a concept for a prefabricated home called The Nest Pod, a saucer-shaped structure that can be built anywhere and customised according to room numbers and colour.
The unconventional home, which we first read about on the design site De Zeen, was conceived for the precrafted property firm Revolution Precrafted.
It’s designed to fit in multiple environments and locations, with an elliptical shape that “allows the building to harmoniously relate to any context,” according to Romero’s write-up of the project.
“We live in a world where mobility became a very important asset, and this house is designed for a new generation of people that can live simultaneously in different parts of the world,” he wrote.
The Nest Pod wouldn’t bear a burden on the landscape around it, either. “The minimized footprint greatly reduces the impact on the build site,” Romero explained, and only requires “a small site in an urban landscape.”
Take a closer look at the futuristic pop-up home below.
The Nest Pod is developed around a North-South axis, and takes up a mere 95 square-metres of space. “The structural grid, which radiates from the center, allows the home to be easily fabricated off-site, shipped, and constructed on location,” the architect explained.
This is the living room. Though the sofa doesn’t look that comfortable, the “panoramic windows” could mean spectacular views depending on where you set up your pod home.
Here’s the dining area, divided from the living area by a wall compression to create “gently carved interior spaces” that reflect the home’s exterior.
For a good night’s sleep, you would need to put up some curtains in the bedroom. As you can see, the structure’s curved theme continues inside, where even the light pours through in an elliptical shape.
The bathroom is a minimalist’s dream.
This design includes a pool outside. One single public area opens to the exterior by its panoramic windows, oriented North and South. Each dwelling is customisable in room number and colour, allowing each user to create a one of a kind experiential dwelling.
If the home looks more like a vehicle, that’s not entirely unintentional. “Manufacturing this house will require the same discipline of the construction of a car, a yacht, or an airplane,” Romero explained in the write-up.
While you might have to forget about privacy, the best part of living in this pop-up pod would be getting to choose the colour of your home and the number of rooms it has.
Read the original article on Business Insider UK. Copyright 2016. Follow Business Insider UK on Twitter.